Golden ratio

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demonstrating a simple method to construct a Golden Ratio rectangle
illustrating geometric proportions in an Attic Greek amphora, including the Golden Proportion: .618
The old townhall in Leipzig. The tower is positioned between the right (a) and left (b) sections so that \scriptstyle \frac{a}{b} equals the golden ratio.

The golden ratio is a mathematical proportion that is important in the arts and interesting to mathematicians. In architecture and painting, some works have been proportioned to approximate the golden ratio ever since antiquity. The ratio itself is also known as the mean and extreme ratio, the golden section, the golden mean, and the divine proportion. The earliest existing description is found in the Elements of Euclid (Book 5, definition 3): A straight line is said to have been cut in extreme and mean ratio when, as the whole line is to the greater segment, so is the greater to the less.

Johannes Kepler took considerable interest in the subject, and in his 1596 book, Mysterium Cosmographicum, wrote:

Geometry has two great treasures; one is the Theorem of Pythagoras; the other, the division of a line into extreme and mean ratio. The first we may compare to a measure of gold, the second we may name a precious jewel.

Kepler seems to have particularly associated this ratio with forms of plants, and all organic growth.[1] In more recent years Jay Hambidge wrote several books devoted entirely to the Golden ratio, pointing out many instances of its presence on organic forms, as well as in the art and architecture of Attic Greece.

It has been claimed that the golden ratio is found in the proportions of architectural structures ranging from the Great Pyramid of Giza[2], to the Parthenon[3], to Chartres Cathedral[4]. In the 20th century, the golden section was applied by the French architect Le Corbusier[5], who used the proportion in the design of virtually all his architectural works, and in his painting, and who wrote a series of books on the subject called The Modulor[6].

[edit] Properties

To elaborate: if there is a longer line segment \scriptstyle a\ and a shorter line segment \scriptstyle b\ , and if the ratio between \scriptstyle a + b\ and \scriptstyle a\ is equal to the ratio between the line segment \scriptstyle a\ and \scriptstyle b\ , this ratio is the golden ratio \scriptstyle \Phi = \frac{a}{b} = \frac{a+b}{a}.

Rewriting this definition gives

\Phi = \frac{a}{b}= \frac{a+b}{a} = 1+\frac{b}{a} = 1+ \frac{1}{\Phi},

which leads to

Φ2 − Φ − 1 = 0,

a quadratic equation with the solutions

\Phi =\frac{1 + \sqrt{5}}{2} = 1 + \frac{1}{\Phi} = 1{,}618\,033\,988\dots .


\bar \Phi=\frac{1 - \sqrt{5}}{2}= 1 - \Phi= -\frac{1}{\Phi} = -0{,}618\,033\,988\dots

With \Phi = 1 + \frac{1}{\Phi} we could derive the infinite continued fraction of the golden ratio: \Phi = 1 + \frac{1}{\Phi} = 1 + \frac{1}{1 + \frac{1}{\Phi}} =  1 + \frac{1}{1 + \frac{1}{ 1 + \frac{1}{\Phi}}} = \dots


\Phi\ =\ 1 + \frac{1}{1 + \frac{1}{ 1 + \frac{1}{1 + \dots}}}

where \ F_n is the n-th term of the Fibonacci sequence.

[edit] References

  1. [1] Kepler's Discovery, the Divine Proportion,
  2. [2]The Golden Ratio & Squaring the Circle in the Great Pyramid, Paul Calter
  3. [3] The Golden Mean, William Harris
  4. [4] Chartres Cathedral, John James
  5. [5] Working With Corbusier, Jerzy Soltan
  6. [6] The Modulor, vol.1, Le Corbusier
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