Other publications

  • 1. ‘Three Questions to the Peruvian Novelist Mario Vargas Llosa’. Yiediot Akhronoth, 17 Dec. 1976, p.3 (Hebrew).

  • 2. F. G. Lorca’s ‘The House of Bernarda Alba’. Bamah, 107, 1987 (Hebrew).

  • 3. ‘Apartheid in Venice - on the 1987 Production of The Merchant of Venice at the R.S.C.’. Bamah, 111, 1988 (Hebrew).

  • 4. ‘The Death of a Centaur - Blood Wedding, Rina Litvin (tr.), Tel Aviv: Am Oved, 1988 (Hebrew).

  • 5. ‘On the Play’ - On F. G. Lorca’ The House of Bernarda Alba, Tel Aviv: The Cameri Theatre, 1988 (Hebrew).

  • 6. ‘The Search for an Ancient Truth’ - an Interview with Nuria Espert. Bamah, 112, 1988 (Hebrew).

  • 7. ‘Performance Dynamics and the Amsterdam Werkteater by Dunbar H. Ogden’ (book review). Bamah, 113-114, 1988 (Hebrew).

  • 8. ‘Introduction’ to the special issue of Theatre Research International on Israeli and Jewish Theatre (guest editor); Vol. 13, 2, 1988.

  • 9. ‘A Glance at an Ancient Theatrical Tradition - the Performance of The Passion in the Villages of Catalonia’. Bamah, 116, 1989 (Hebrew).

  • 10. ‘When the Stage Watches the Audience’. Bamah, 122, 1990 (Hebrew).

  • 11. ‘Foreword’ to the special issue of Bamah in commemoration of the expulsion of the Jews from Spain (1492) and its reflection in the theatre. (guest editor - Hebrew); 127, 1992.

  • 12. ‘The Fountain of Youth’. On the Translation of Lope de Vega’s Fuenteovejuna by Rina Litvin. Maariv, 27 May 1994 (Hebrew).

  • 13. ‘Foreword’ to the special issue of Theatre Research International on performance analysis (guest editor); Vol. 22, 1, 1997.

  • 14. ‘Foreword’ to the special issue of Assaph - Studies in the Theatre on The Death of Molière by Robert Wilson and Heiner Müller; C, 14, 1998.

  • 15. ‘Israel: la mas Alta Concurrencia del Mundo al Teatro’. Interview by Moshé Porat. Israel y el Medio Oriente. Año X, 10, 1999 (Spanish).

  • 16. ‘Theatre: To Find Yourself within the Whole Group - An Interview with Rina Yerushalmi. In Gad Kaynar, Freddie Rokem and Eli Rozik (eds), The Cameri: A Theatre of Time and Place. Tel Aviv University, 1999.

  • 17. ‘Dionysiac Poetics and Euripides’ Bacchae by Charles Segal’. The European Legacy, Vol. 5, 2, 2000.

  • 18. ‘The Youth Movement and my Love for the Theatre’. In Dror Hechalutz Hatzair in Argentina. Tel Aviv: 2001 (Hebrew).

  • 19. ‘Dream and Bronze’. A book review of Rina Litvin (Trans.), Dream and Bronze - A Selection of F. García Lorca's Poetry. Haaretz, 6.2.2002 (Hebrew).

  • 20. ‘The Aim of Theatre Research’ - Introduction to Israeli Theatre Scholars. Trans. J. Vikard. Saint Petersburg: The Saint Petersburg Academy of Theatre Arts, 2002 (Russian).

  • 21. ‘Greek Theatre Performance - An Introduction’ by David Wiles (a book review). The European Legacy, 8, 1, 2003.

  • 22. Excerpt from ‘Stage Metaphor: With or Without - On Rina Yerushalmi’s Production of The Chairs by Ionesco’ (B: No.38). In Harold Bloom (ed.), Major Dramatists: Eugène Ionesco. Philadelphia: Chelsea House, 2003.

  • 23. ‘Problematic Egocentric Narratives’ (book review of Christopher Booker’s The Seven Basic Plots: Why we Tell Stories). The European Legacy, 11, 5, 2006.

  • 24. ‘Canonical Plays despite themselves’ (book review of Bilha Blum’s A Dialogue between Playwright and Director. Moznaim, 80, 5-6, 2007 (Hebrew).

  • 25. ‘Cognitive Theories of Metaphor’ (book review of Murray Knowles and Rosamund Moon’s Introducing Metaphor). The European Legacy, 12, 6, 2007.

  • 26. Yana Meerzon & Eli Rozik (guest editors), ‘Introduction’ to the special section of Journal of Dramatic Theory and Criticism on Semiotic Analysis of Avant-Garde Performance; Vol. XXII, 2, 2008.

  • 27. ‘The Riddle of Nonverbal Thought’ (book review on José Luis Bermúdez, Thinking without Words). The European Legacy, 14, 6, 2009.

  • 28. ‘Las Noció del Drama Antiaristotèlic: Esslin versus Aristòtil’. In Assaig de Theatre: Revista de l’Associaió d’Investigació i experimentació Teatral, 70, 2009 (Catalan).

  • 29. ‘Being Serious about Laughter’ (book review on Arie Sover’s Humor - On the Path of the Laughing Man. Maagalei Nefesh, 2, 2010 (Hebrew).

  • 30. A Critic whom it is a Pleasure to Critique (book review on Andrei Strihan’s The Same Play, Different Masks.Theatron, 28, 2010.

  • 31. A Critic whom it is a Pleasure to Critique (book review on Andrei Strihan’s The Same Play, Different Masks. Maximum, Year 1, 3, 2010 (Romanian version of No. 30).

  • 32. 'Nietzsche's Theory of Art' (book review on the section 'New Nietzsche's Studies: Art and Aesthetics'. The Journal of Nietzsche Society. 2009). The European Legacy, 18, 5, 2013.
  • 33. 'Semantic Expansions of Ekphrasis' (book review of Claire Barbetti's A New Discussion in Interarts). The European Legacy, 19, 7, 2014.

Email: rozik@post.tau.ac.il
.