V. Chapters in Books
1. "The
Camera and the Aesthetics of Repetition: Strindberg's Use of Space and
Scnography in Miss Julie, A Dream Play and The Ghost Sonata",
Strindbergian Theatre, ed. G. Stockenstrom, University of Minnesota
Press, Minneapolis, 1988, 107-128.
2. "A
chair is a Chair is a CHAIR", The Prague School and its Legacy in
Linguistics, Literature, Semiotics, Folklore and the Arts, ed. Y. Tobin,
John Benjamins BV Publishing Company, Amsterdam and Philadelphia, 1988,
275-288.
3. "The
Cathartic Experience: The Role of the Spectator in the Theatre", Approaches
of the Opera, ed A. Helbo, Didier Erudition, Bruxelles, 1986, 225-232.
4. "The
Representation of Death in Strindberg's Chamber Plays", Strindberg and
Genre, ed. Michael Robinson, Norvik Press, Norwich, 1991, 119-136.
5. "Jew
and Non-Jew in the Hebrew Inter-War Theatre: From Marginality to
Centrality", Theatralia Judaica: Studien zur Geschichte und Theorie
der dramatischen Kunste, ed. Hans-Peter Bayerdoerffer, Max Niemeyer Verlag,
Tuebingen, 1992, 264-280.
6. "'Deus
ex Machina' in the Avant-Garde Theatre", TheaterAvantgarde, ed.
Erika Fischer-Lichte, Francke Verlag, Tuebingen, 1995, 324-368, (German).
7. "Hebrew
Theatre from 1889-1948", Theatre in Israel, ed. Linda Ben-Zvi, Michigan University Press, Ann
Arbor, Michigan, 1996, 51-84
8. "Angels
of History: Joshua Sobol's Theatrical Reconstruction of the Vilna Ghetto",
Theatre in Israel, ed. Linda Ben-Zvi, Michigan University Press, Ann
Arbor, 201-215.
8a. also
in Machanaim, 9, 1994, 304-311, (Hebrew).
8b. also,
expanded version in Babylon: Beitrage zur juedischen Gegenwart,
Verlage neue Kritik, 15, 1995, 49-66, (German).
9. "Art
as Utopia in Sobol's Palestinait (Shooting Magda)", Theatre
in Israel, ed. Linda Ben-Zvi, Michigan University Press, Ann Arbor,
215-224.
10. "Slapping
Women: Ibsen's Nora, Strindberg's Julie and Freud's Dora", Textual
Bodies: Changing Boundaries of Literary Representation, ed Lori
Lefkovitz, State University of New York Press, Albany, 1997, 221-243.
11. "One
Voice and Many Legs: Oedipus and the Riddle of the Sphinx", Untying the
Knot: On Riddles and other Enigmatic Enigmatic Modes, eds. G. Hasan-Rokem
and D. Shulman, Oxford University Press, New York - Oxford, 1996, 255-270.
12. "Cultural
Transformations of Evil and Pain: Some recent changes in the Israeli Perception
of the Holocaust", Theatralia Judaica II: German-Israeli
Theatrical Relations after World War II, ed. Hans-Peter Bayerdoerfer,
Niemeyer Verlag, Tuebingen, 1996, 217-238.
13. Sobol's
play about Otto Weininger. The Israeli and the Viennese Contexts", Geschichte
der oesterreichischen Literatur, eds. Donald G. Daviau & Herbert Arlt, Teil 2, Roerig
Universitaet Verlag, St Ingbert, 1996, 518-527.
14. "The
Meanings of the Circle in Brecht's Theatre", Bertolt Brecht Centenary
Essays, eds. Steve Giles and Rodney Livingstone, Nottingham UP, Nottingham,
1998, 109-120.
15. "Performing
History: The Representations of the French Revolution in the Post World War II
Theatre", monograph for the second volume of Theater seit den 60er
Jahren: Grenzgaenge der Neo-Avantgarde, eds. Erika Fischer-Lichte, Friedemann Kreuder & Isabel
Pflug, Francke Verlag, Tuebingen, 1998, 316-374, (German).
16. "On
the Fantastic in Holocaust Performances", The Holocaust and Performance,
ed. Claude Schumacher, Cambridge University Press, Cambridge, 1998, 40-52.
17. "Strindberg
and the Hebrew Language: The poet's alchemic dream of language", Strindberg:
The Moscow Papers, ed., Michael Robinson, Strindbergssällskapet,
Stockholm, 1998, 37-48.
17a. also, in Hebrew, Dapim
Le-Mechkar Ba-Sifrut, Haifa University Press, XI, 1997/98, 353-370.
18. “What does Antigone Remember? A
Dramaturgical and Folkloristic Analysis of King Oedipus, Festschrift for
Benjamin Harshav, ed. Ziva Ben Porat, Porter Institute and Ha-Kibbutz
Ha-Meuchad, Tel Aviv, 2001, 328-339 (together with Galit Hasan-Rokem).
18a. also in English, Telling, Remembering, Interpreting, Guessing, edited by Maria Vasenkari, Pasi Engers and Anna-Leena Siikala, Soumen Kansantietouden Tutkijan Seurs, Joensuu, 2000, 226-235.
19. “Dramaturgical Analysis”, Dramaturgy,
ed Heta Reitala and Timo Heininen, Helsinki University Press, Helsinki, 2001,
105-130.
20. “Secret Codes: Strindberg and the Dead
Languages” August Strindberg and the Other: New Critical Approaches,
edited by Poul Houe, Sven Hakon Rossel and Göran Stockenström, Rodopi,
Amsterdam – New York, 2002, 43-55.
Accepted
for Publication
21. “Re-Telling
Hamlet: Theatrical Machineries and Supernatural Creatures”, Theatre - Text,
ed. Kela Kvam, University of Copenhagen Press.
22. "The
Survivor on the Stage", The Last Phase of Survivor Literature, ed.
Mark Gelber.
23. "Criteria
for Canonization in Israeli Theatre: Re/evaluating the Identity of Hebrew
Drama", Re/writing National Theatre Historiography, ed.
Steve Wilmer, University of Iowa Press, Iowa City (together with Yael
Zarhy-Levo).
24. “Introduction”, The Labour of
Life: An Anthology of Hanoch Levin’s Plays, Stanford University Press,
Stanford.
24a. an abbreviated version already published in Dialog,
vol 47, 1-2, 2002, 108-120, (in Polish).
25. “Deus ex Machina in the Modern
Theatre” (a rewritten version of #6 above) in Reconsiderations of Theatre
History, eds., Peter Holland and W.B. Worthen.
26. “The Memories of an Exiled Soul: Adam
Ben Kelev at the Gesher Theatre”, Festschrift for Hans-Peter Bayerdoerffer,
Munich, Germany
27. “Job’s Soul and Otto Weininger’s
Torments: Jewish Men in the Theatre of Hanoch Levin and Yehoshua Sobol”,
Festschrift for Erika Fischer-Lichte, Berlin, Germany.
28. “Jewish Themes in the Theatre of
Hanoch Levin and Yehoshua Sobol”, Jewish Theatre, Brill Academic
Publishers of Leiden, Leiden.
29. “Martin Buber’s Dialogue with
Theatre”, Jews and the Energence of Modern German Theatre, eds. Jeanette
Malkin and Freddie Rokem, Wisconsin University Press, Madison