Ruth Markus – Publications

Articles in Hebrew:

Ruth Markus, “Sculpture as Architecture: Giacometti’s ‘The Palace at 4 a.m.’ 1932-3”,

Motar 2, Tel Aviv University (1994); 134-40.

Ruth Markus, “The Praying Mantis and the Castrating Woman in Surrealist Art”, Motar

4, Tel Aviv University (1996); 91-100.

Ruth Markus, “From Word to Image – Theory and Practice of the Futuristic Manifestos”,

Motar 6, Tel Aviv University (1998); 91-100.

Articles in English:

Ruth Markus, “The Contribution of Arnon Adar to The Israeli Theatre”, Assaph, Studies

in the Theatre 6 , Tel Aviv University (1990); 141-158.

Ruth Markus, “Picasso's Guitar, 1912, and His Transition from Analytical to Synthetic

Cubism”, Assaph, Studies in Art History 2, Tel Aviv University (1996); 233-246.

Ruth Markus, “Surrealism’s Praying Mantis and Castrating Woman”, Woman’s Art

Journal, vol. 21;1, (Spring/Summer, 2000); 33-39.

Ruth Markus, “Futurist Scenography: From Revolutionary Theory to Established Practice”

Assaph, Studies in the Theatre, Tel Aviv University (2000);

Articles Accepted for Publications:

Ruth Markus, “What Does the Mask Cover in Alberto Giacometti’s ‘The Invisible Object’

(1934-35)”. The Metamorphosis of Marginal Images, Tel-Aviv University, 2000.

Ruth Markus, “Sex and Gender in Giacometti’s Couples”, Assaph, Studies in Art History,

5, Tel Aviv University, 2000.

Ruth Markus, “Vision as Reality in Gauguin’s Paintings”, Motar 8, Tel Aviv University,

2000.