Reuven Tsur

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Chatman, Seymour (1965) A Theory of Meter. The Hague: Mouton. Chatman, Seymour (1966)"On the 'Intonational Fallacy'", QJS 52:
283-286.
Cooper, C. W. and L.B. Meyer (1960) The Rhythmic Structure of
Music.Chicago: Chicago UP.
Fónagy, Iván (1971) "The Functions of Vocal Style", in Seymour
Chatman (ed.), Literary Style: A Symposium.London:
Oxford UP. 159-174.
Halle, Morris and Samuel Jay Keyser (1966) "Chaucer and the Study
of Prosody", College English28: 187-219.
Knowles, Gerry (1991) "Prosodic Labelling: The Problem of Tone
Group Boundaries", in Stig Johannson and Anna-Brita
Stenström (eds.), English Computer Corpora. Selected
Papers and Research Guide.(Topics in English Linguistics 3)
Berlin: Mouton de Gruyter. 149-163.
Preminger, Alex and T. V. F. Brogan (1993) The New Princeton
Encyclopedia of Poetry and Poetics.Princeton: Princeton UP. Tsur, Reuven (1977) A Perception-Oriented Theory of Metre.Tel Aviv:
The Porter Institute for Poetics and Semiotics. Tsur, Reuven (1992)What Makes Sound Patterns Expressive: The
Poetic Mode of Speech-Perception.Durham N. C.: Duke UP. Tsur, Reuven (1997) "To Be Or Not To Be--That is the Rhythm: A
Cognitive-Empirical Study of Poetry in the Theatre".
Assaph--Studies in Theatre13: 95-122
Tsur, Reuven (1998) Poetic Rhythm: Structure and Performance--An
Empirical Study in Cognitive Poetics.Bern: Peter Lang. Wellek, René & Austin Warren (1956) Theory of Literature.New
York: Harcourt, Brace & Co.

Recorded Readings
Beale, Simon Russel et al.reading William Shakespeare: Great
Speeches and Soliloquies.Naxos AudioBooks Na 20 1512. The Marlowe Society and Professional Players reading Shakespeare:
The Sonnets.Argo ZPR 254.