The Yolanda and David Katz Faculty of the Arts - Art History
Tel-Aviv University

Linear Sculpture Between the Two World Wars
Ruth Markus, 1997-8
Bibliography - in English & French

General Background

Heelan, P. A., Space-Perception and the Philosophy of Science, Berkeley,
Los Angeles London: University of California Press, 1988.
Kantorovich, A., Scientific Discovery: Logic and Tinkering, Albany: State
University of New York Press, 1993.
Kern, S., The Culture of Time and Space, 1880-1918, Cambridge, Mass.:
Harvard University Press, 1983.
Knight, D., The Age of Science: The Scientific World-view in the Nineteenth
Century, New York: Basil Blackwell, 1989.
Langer, S. K. Feeling and Form, New York: Carles Scribner's Sons, 1953.
Ouspensky, P.D., The Fourth Way, New York: Vintage Books, Random House, 1971.

Modern Art

Ashton, D., . A Reading of Modern Art, New York: Icon, Harper & Row, 1971
Bois, Y.A., Painting as Model, Cambridge, Mass., London England: October
Book, MIT Press, 1990.
Chipp, H.B., Theories of Modern Art, Berkeley, Los Angeles, London: University
of California Press, 1975.
Cone, N., The Roots and Routes of Art in the 20th Century, New York: Horizon
Press, 1975.
Giedion, S., "Transparency: Primitivism and Modern", Art News, vol. 51, no. 4
(Summer 1952), pp. 47-50; 92-96.
Goldwater, R., Primitivism in Modern Art, Cambridge, Mass. and London:
The Belknap Press of Harvard University (enl.ed.) 1986.
Harrison, C. and F. Orton (eds.), Modernism, Criticism, Realism, Alternative Contexts
for Art, New York: Icon, Harper and Row, 1984.
Kandinsky, W., Point and Line to Plane, New York: The S. R. Guggenheim Foundation, 1947.
McMullen, R., Art Affluence and Alienation - The Fine Arts Today, London: Pall Mall Press, 1968.
Read, H., . The Philosophy of Modern Art, London: Faber & Faber, 1977
Richardson, J.A., Modern Art and Scientific Thought, Urbana, Chicago, London:
University of Illinois Press, 1971.
Rubin, W. (ed.), Primitivism in 20th Century Art, Exh. Cat., (vol I & II), New York:
The Museum of Modern Art, 1984.
Silver, K. E., Esprit de Corps: The Art of the Parisian Avant-Garde
and the First World War, 1914-1925, Princeton, New Jersey: Princeton
University Press, 1989.
Stangos, N. (ed.), Concepts of Modern Art, London: Thames and Hudson,
(revised and enlarged ed.), 1983.
Steinberg, L., Other Criteria, New York: Oxford University Press, 1972.
World Cultures and Modern Art, Exh. Cat., (on the occasion of the XXth Olympiad),
Watson, S., Strange Bedfellows: The First American Avant-Garde, N.Y., London,
Paris: Abbeville Press, 1991. Munich: Bruckmann Publ., 1972.

Modern Sculpture

Bowness, A., Modern Sculpture, New York: Studio Vista, Dutton Pictureback, 1967.
Butler, R., Western Sculpture Definitions of Man, New York,
Hagerstown, San Francisco, London: Icon, Harper & Row, 1979.
Burnham, J., Beyond Modern Sculpture, New York: George Braziller Inc., 1975.
Elsen, E.A., Origins of Modern Sculpture: Pioneers and Premises,
New York: George Braziller Inc., 1974.
Elsen, E.A., Modern European Sculpture 1918-1945: Unknown
Beings and Other Realities, New York: George Braziller Inc. 1979.
Hammacher, A.M., The Revolution of Modern Sculpture, New York:
Abrams Inc., 1969.
Krauss, R., Passage in Modern Sculpture, London: Thames and Hudson, 1977.
Qu'est-ce que la Sculpture moderne, (Conception de M. Rowell), Cat. Expo.,
Paris: Musée national d'Art moderne, George Pompidou, 1986.
Read, H., A Concise History of Modern Sculpture, London: Thames
and Hudson, 1974.
Rowell, M., The Planar Dimension, Exh. Cat., New York: The S.R.
Guggenheim Foundation, 1979.
Tucker, W., The Language of Sculpture, London: Thames and Hudson, 1977.

Linear Architecture and Design

Brunhammer, Y., Art Deco Style, New York: St. Martin's Press, 1984.
Brunhammer, Y., The Nineteen Twenties Style, London: Cassell, 1987.
Friedman, M. (ed.), De Stijl: 1917-1931, Vision of Utopia, Oxford: Phaidon paperback, 1986.
Hitchcock, H. R., Architecture : Nineteeth and Twentieth Centuries, Harmondsworth:
The Pelican History of Art, Penguin Books, repr. 1978.
Pevsner, N., Pioneers of Modern Design, Harmondsworth: Penguin Books, repr. 1984.

Psychology

Arnheim, R., Toward a Psychology of Art, Berkeley, Los Angeles:
University of California Press, 1966.
Arnheim, R., Art and Visual Perception - A Psychology of the Creative Eye,
Berkeley, Los Angeles: University of California Press, 1974.
Jung, C.G., The Spirit in Man, Art and Literature, Princeton: Bollingen Series XX,
Princeton University Press, 1972.
Jung, C.G., Man and his Symbols, London; Aldus Books, Jupiter Books, 1964.
Neumann, E., The Great Mother, New York: Pantheon Books, Bollingen Series,
XLVII, 1955.

Cubism

Antiff, R. M., "Bergson and Cubism: A Reassessment", Art Journal, vol 47, no. 4
(winter 1988), pp. 341-349.
Barr, A., Cubism and Abstract Art, New York: The Museum of Modern Art, 1974.
Cooper, D., The Cubist Epoch, L.A. County Museum of Art & N.Y.
Metropolitan Museum of Art, London: Phaidon, 1971.
Cooper, D. and G. Tinterow, The Essential Cubism 1907-1920, London:
The Tate Gallery, 1983.
Dalrymple Henderson, L., "A New Facet of Cubism: 'The Fourth Dimension' and
Non-euclidean Geometry' Reinterpreted", Art Quarterly, vol. 34, no. 4, (October 1971), pp. 410-433.
Fry, E.F., Cubism, London: Thames and Hudson, 1966.
Golding, J., Cubism - A History and Analysis, 1907-1914, New York,
Hagerstown, San Francisco, London: Icon, Harper & Row, (revised ed.) 1968.
Gray, C., Cubist Aesthetic Theories, Baltimore: The Johns Hopkins University
Press, 1967.
Green, C., Cubism and its Enemies, (Modern Movements and Reaction in
French Art, 1916-1928), New Haven and London: Yale University Press, 1987.
Kozlof, N., Cubism / Futurisn, New York: Icon, Harper & Row, 1974.
Laporte, P.M., "Cubism and Science", Journal of Aesthetic and Art Criticism,
no. 48-49 (Mars 1949), pp.243-256.
Rosenblum, R., Cubism and 20th Century Art, New York: Abrams Inc., (revised
ed.) 1969.
Schwartz, W., The Cubist, London: Thames and Hudson, 1971.

Lipchitz

Arnason, H.H., Jaques Lipchitz: Sketches in Bronze, London: Pall Mall
Press, 1969.
Barbier, M., Lipchitz, Paris: Collection du Musée national d'Art Moderne,
Centre Pompidou, 1978.
Dorival, B., "Les omissions d'Archipenko et de Lipchitz", Bulletin de la
societe de L'histoire de l'Art francais, annee 1974 (1975) pp. 201-219.
Hammacher, A.M., Jaques Lipchitz, New York: Abrams Inc., 1961, 1975.
Hess, T.B., "Lipchitz: Space for Modern Sculpture", Art News,
(April 1954) pp. 34-37; 61-2.
Huidobro, V., "Jaques Lipchitz", Cahiers d'Art, vol 3 (1928) pp. 153-157.
Lipchitz, J. & Arnason H., My Life in Sculpture, London: Thames and
Hudson, 1972.
Raynal, M., "Dieu-table-cuvette", Minotaure, no 1 (juin 1933) pp. 39-40.
Teriade, E., "Aspects actuels de l'expression plastique", Minotaure, no 5
(Mai 1934) pp. 33-44.
Teriade, E , "A propos de la recente exposition de Jacques Lipchitz", Cahiers
d'Art, no 5 (1930) pp. 259-65.
Teriade, E , "Valeur plastique de movement", Minotaure, no 1, (juin 1933)
pp. 45.
Van Bork, B., Jaques Lipchitz: The Artist at Work, (with a critical evaluation by
Dr. A. Werner) New York: Crown Pub. Inc., 1966.
Werner, A., Lipchitz, The Cubist Period, New York: Marlborough Gerson, 1968.
Wilkinson, A. G., Jacques Lipchitz: The Cubist Period 1913-1930, New York:
Marlborough Gallery, Inc., 1987.

Picasso

Ashton, D., "Picasso and Frenhofer", A Fable of Modern Art, Berkeley,
Los Angeles, Oxford: University of California Press, 1991.
Barr, A., Picasso - 50 Years of His Work, New York: The Museum of Modern
Art, 1974.
Bollinger, H., (introduction) Picasso's Vollard Suite, London: Thames and
Hudson, 1977.
Breton, A., "Picasso dans son élément", Minotaure, no 1 (Juin 1933) pp. 10-29.
Daix, P., Picasso : The Cubist Years, 1907-1916, London: Thames
and Hudson, 1979.
Daix, P., Picasso, Life and Art, London: Thames and Hudson, 1994.
Fry, E.F., Book review of P. Daix and J. Rosselet, "Picasso: The Cubist Years
1907-1916", Art Journal, vol. 41, no. 1 (Spring 1981), pp. 93-95.
Fry, E.F., "Picasso, Cubism and Reflexivity", Art Journal, vol 47, no. (Winter
1988), pp. 296-310.
Johnson, R.W., The Early Sculpture of Picasso, 1907-1914, New York,
London: Garland Pub. Inc., 1976.
Lichtenstern C., Picasso, Monuments a Apollinaire, Paris: Edition Adam
Biro, 1990.
Musee Picasso, Catalogue of the Collection, (introduction by D. Bozo,
Reunion des musees nationaux, Paris, 1985) London: Thames and Hudson, 1986.
Omer, M. (ed.), Picasso and Literature, Exh. Cat., Tel-Aviv: The Genia
Schreiber University Art Gallery, Tel Aviv University, 1989.
Penrose, R., The Sculpture of Picasso, New York: The Museum of Modern
Art, 1967.
Penrose, R., Picasso: His Life and Work, New York: Schocken, 1962.
Penrose, R. and Golding J. (ed.), Picasso in Retrospect, New York: Praeger, 1973.
Picasso, Cat. d'Expo., (oeuvres recus en paiment des droits de succession),
Paris: Grand Palais, 1980.
Picasso vue par Brassai, Cat. d'Expo., Paris: Musee Picasso, 1987.
Picasso and the Age of Iron, Exh. Cat. (Curated by Carmen Gimenez; Essays
by Dore Ashton and Francisco Calvo Serraler), New York: Guggenheim Museum, 1993.
Picasso: Sculptue/Painter, Exh. Cat. (Elizabeth Cowling and John Golding),
London: Tate Gallery, 1994.
Read, P., Picasso and Apollinaire, Paris: Edition Jean-Michel Place, 1995.
Rosenblum, R., The Sculpture of Picasso, Exh. Cat., New York: Pace
Gallery, 1982.
Rubin, W. (ed.), Pablo Picasso: A Retrospective, Exh. Cat., New York:
The Museum of Modern Art, 1980.
Rubin, W. (ed.), Picasso and Braque Pioneering Cubism, Exh. Cat.,. New York: The Museum
of Modern Art, 1989
Rubin, W. (ed.), Picasso and Portraiture, London: Thames and Hudson, 1996.
Schiff, G., Picasso in Perspective, New York: Prentice Hall Inc., 1967.
Smith, L. E., "Iconographic Issues in Picasso's 'Woman in the Garden'", Arts Magazine,
vol 56, no 5 (Jan. 1982), pp. 142-147.
Spies, W., Picasso Sculpture, London: Thames and Hudson, 1972.
Spies, W., Picasso: Das Plastische Werk, Berlin: Nationalgalerie, 1983.
Stein G., Picasso (the complete writings , ed. by E. Burns), Boston: Beacon
Press, 1970.

Gonzalez

Descargues, P., Julio Gonzalez, Paris: Le Musée de Poche, 1971.
Julio Gonzalez 1876-1942, (Revue de presse 1969-1970), Paris:
Galerie de France, 1970.
Julio Gonzalez, Exh. Cat., London: The Tate Gallery, 1973.
Markert, J., Julio Gonzalez, Catalogue raisonné des sculptures
(introduction de M. Rowell), Milano: Electa Spa, 1987.
Rowell, M., Julio Gonzalez: A Retrospective, Exh. Cat.,New York:
The Solomon R. Guggenheim Museum, 1983.
Smith, D., "Gonzalez: First Master of The Torch",: G. McCoy (ed.),
David Smith, London: Allen Lane, 1973.
Statements by Gonzalez (including chronology and bibliography), The Bulletin
of the Museum of Modern Art, vol 5 (1954-58), New York: Arno, 1967, pp.42-48.
Tucker, W., "The Sculpture of Gonzalez", Studio International, 17/6, (Dec. 1970)
pp. 236-9.
Tucker, W., The Language of Sculpture, London: Thames and Hudson 1977.
Withers J., The Artistic Collaboration of Pablo Picasso and Julio Gonzalez, Art
Journal, XXV/2, Winter 1975/6, pp. 107-114.

Constructivism

Art into Life: Russian Constructivism, 1914-1932, Exh. Cat., Seattle:
The Henry Art Gallery, University of Washington, New York: Rizzoli, 1990.
Bann, S., The Tradition of Constructivism, London: Thames and Hudson, 1974.
Barron S. & M. Tuchman, The Avant-Garde In Russia 1910-1930: New
Perspectives, Exh. Cat., Los Angeles, Calif.: Los Angeles County Museum of Art, 1980.
Elliott, D. (ed.), Alexander Rodchenko, Exh. Cat., Oxford: The Museum of
Modern Art, 1979.
Gabo, N., Gabo (introduction by H. Read), London: Lund Hamphries,
London, 1957.
Gabo, N., On Divers Arts, Washington: The Mellon Lectures in Fine Arts,
National Gallery of Art, 1959.
Karshan, D., Malevitch, the Graphic Work, Exh. Cat.,. National Gallery of Art,
1959. Jerusalem: The Israel Museum, 1975
Levinger, E., Levinger, E., "Art and Mathematics in the Thought of El Lissitzky:
His Relationship to Suprematisn and Constructivism", Leonardo, vol 22, no 2, (1989), pp. 227-236.
Lodder, Ch. Russian Constructivism, New Haven and London: Yale University
Press, 2nd print, 1985.
Milner, J., Vladimir Tatlin and the Russian Avant-Garde, New Haven and London:
Yale University Press, 1984.
Paris - Moscou, 1900-1930, Cat. Expo., Paris: Centre national d'Art et de la
Culture, George Pompidou, 1979.
Pevsner, A., Naum Gabo and Antoine Pevsner: A Biographical Sketch of My
Brothers, Amsterdam: Augustin and Achoonman, 1964.
Zhadova, L., A., (ed.) Tatlin, London: Thames and Hudson, 1988.

Surrealisn

Ades, D., "Dada and Surrealisn", Concepts of Modern Art, ed. by N. Stangos,
London: Thames and Hudson, 1983, pp. 110-137.
Alexandrian, S., Surrealist Art, London: Thames and Hudson, 1975.
Breton A., "Artistic Genesis and Perspective of Surrealism" (1941), Surrealism
and Painting, New York: Harper & Row, 1972.
Breton A., "The Automatis Message", What is Surrealism? Selected Writings
(ed. by F. Rosemont), London: Pluto Press, 1978.
Dali, S., "The Object as Revealed in Surrealist Experiment", Theory of Modern
Art, ed by H.B. Chipp, Berkeley, L.A., London: University of California Press, 1975, pp. 417-427.
Fer, B., D. Batchelor and P. Wood, Realism, Rationalism, Surrealism: Art
Between the Wars, New Haven and London: Yale University Press, 1993.
Finkelstein, H., "The Incarnation of Desire, Dali and the Surrealist Object", RES
23 (Spring 1993) pp. 115-137.
Foster, H., Compulsive Beauty, Cambridge, Mass. and London: October Book,
MIT Press, 1993
Foster, H., "Convulsive Identity", October 57, (Summer 1991), pp. 19-54.
Melly, G. and M. Woods, Paris and the Surrealists, London: Thames and
Hudson, 1991.
Rubin, W. S., Dada and Surrealist Art, London: Thames and Hudson, 1974.
Rubin, W. S., Surrealism and Their Heritage, Exh. Cat., New York: The Museum
of Modern Art, 1968.

Giacometti, Catalogues

Alberto Giacometti, California: Frank Perels Gallery, 1970 (Interview by
Pierre Schneider, "My Long Walk", translated from L'Express, 8.6.1961, Paris)
Alberto Giacometti, Chicago: Ratner collection, The Art Inst., 1974-75.
Alberto Giacometti, London: The Tate Gallery, 1965 (By the Art Council of
Britain, with text by David Sylvester, "The Residue of a Vision").
Alberto Giacometti, New York: The Museum of Modern Art, 1965. (Introduction
by Peter Selz, and Giacometti's letter to Matisse).
Alberto Giacometti, New York: The Solomon R. Guggenheim Museum, 1974
(Collection of the Alberto Giacometti Foundation in Switzerland, text by Reinfold Hohl).
Alberto Giacometti, New York: Pierre Matisse Gallery, 1964 (Interview by
James Lord).
Alberto Giacometti, Paris: Musee national d'Art Moderne, Orangerie,
1969-1970 (Introd. by Jean Leymaire.
Alberto Giacometti, Saint Paul: Fondation Maeght, 1978 (Jaques Dupin, "la
realite impossible"; Michel Leiris "Autres heures, autres traces").
Alberto Giacometti, Washington D.C.: Hirshhorn Museum and Sculpture
Garden of the Smithsonian Institution Press, (Valerie J. Fletcher with essays by Silvio Berthoud and Reinhold Hohl).

Giacometti, Books & Articles

Bell, R., "Giacometti's Art as a Judgment on Culture", The Journal of
Aesthetics and Art Criticism vol 47, no l (Winter 1989), pp. 15-20.
Bonnefoy, Y., Giacometti: A Biography of his Work, France: Flammarion, 1991.
Bonnefoy, Y., "Giacometti, le problems des deux epoques", Connaisance des
Arts, no 478 (numero special consacre a Giacometti, decembre, 1991), pp. 61-77.
Dupin, Jaques, Alberto Giacometti, Paris: Maeght, 1962.
Giacometti, A., "Le palais a 4 heures", Minotaure 3/4 (Paris 1933) p. 46.
Giacometti, A., Le Rêve, le sphinx et la mort de T", Labyrinth 22-23
(Decembre 1946) pp.12-13.
Genet, Jean, "L'Atelier d'Alberto Giacometti", Derriere le Miroir, France:
Aime Maeght, 1957.
Hohl, Reinhold, Alberto Giacometti, London: Thames and Hudson, London,
1972.
Huber, C., Alberto Giacometti, Lausanne: Edition Rencontre, 1970.
Krauss, R., "Giacometti", Primitivism in 20th Century Art, . ed. by W. Rubin,
New York: Museum of Modern Art, 1988, pp. 503-533
Lamarche-Vadel, Bernard, Alberto Giacometti, New York: Tabard Press, 1989.
Lord, James, Giacometti, London: Faber & Faber, 1986.
Rotzler, W. and Adelmann N., Alberto Giacometti, Lausanne: Orbis Pictus,
Vol. 51, Payot, 1970.
Vollichard D. "Alberto Giacometti et la figuration", L'Oeil, no 371 (juin 1986),
pp. 48-55.

Calder

Alexander Calder, 1898-1976, Cat. Expo. Paris: Musée d'Art
moderne de la ville de Paris, 1996.
Calder, A., Autobiographie, Paris: Maeght, 1972.
Calder, A., & Davidson, J., Calder: An Autobiographie With Pictures,
London: Allen Lane, Penguin Press, 1966.
Calders's Universe, New York: The Whitney Museum, 1976.
Lipman J. with M. Aspinwall, Alexander Calder and His Magical Mobiles,
New York: Hudson Hill Press with the Whitney Museum of American Art, 1981.

David Smith

David Smith 1906-1965: Small Sculptures of the Mid-Forties, (Introduction by
R. Krauss), Exh. Cat., New York: Malborough Gerson, 1968.
Krauss, R., Terminal Iron Works: The Sculpture of David Smith,
Cambridge, Mass.: MIT Press, 1971.
McCoy, G., David Smith, London: Allem Lane, Penguin Press, 1973.
Merkert, J. (ed.), David Smith: Sculpture and Drawings, Munich:
Prestel-Verlag, 1986.
Wilkin, K., Smith, New York: Abbeville Press, 1984.

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