Research in Art History, Romanesque and Gothic Art, Marginal Sculpture |
:: Architectural design as conceived by the school of Urbino, (1460-1512), in: Scripta Hierosolymitana, (Publications of the Hebrew University, Jerusalem), studies in Art ed. M. Barash , Jerusalem, 1972, pp. 132-146. :: ''The Devouring Monster: A Source for the Depiction of Hell in Romanesque Last Judgments,'' Assaph. Studies in Art History, published by Tel Aviv University, 1 (Tel Aviv, 1980), pp. 67-86. :: ''Quelques aspects de l'iconographie des vingt-quatre Vieillards dans la sculpture française du XIIe siècle,'' Cahiers de civilisation mediévale, 24 (1981), pp. 233-239 (with Ruth Bartal). :: Emotion, Beauty and Franciscan Piety: "A new Reading of the Magdalene Chapel in the lower church of Assisi" in Studi Medievali, 26 (1985), pp. 699-710. :: ''Les modillons de Saintonge et du Poitou comme manifestation de la culture laique,'' Cahiers de civilisation mediévale, 29 (1986), pp. 311-330, pls. 1-8, figs. 1-33. :: ''Artist and God in the Inscription of Natalis the Romanesque Sculptor,'' Perlman Book (Research in the Classical Culture and its Inheritance), 33 (Tel Aviv University, 1989), pp. 211-217 (in Hebrew). :: ''Unnoticed Self-Representations of Romanesque Sculptors in Twelfth-Century France,'' in World Art Themes of Unity in Diversity (The Pennsylvania State University Press, 1989), vol. II, pp. 487-493, 5 figs. :: ''L'éveque, le comte et le charpentier: á propos de deux monuments commémoratifs du XIIe siècle a Notre Dame du Puy,'' Cahiers de civilisation mediévale, 33 (1990), pp. 205-217, pls. 1-8, figs. 1-28. :: ''The Margins of Society in Marginal Romanesque Sculpture," Gesta New York, vol. 31/1 (1992), pp. 15-25, figs. 1-18. :: "Sculpture High Up: The Forgotten Meanings of Monumental Sculpture on Church's Roofs and Towers," in Memory and Oblivion (Amsterdam, 1997). :: "The new image of women in Early Christian Art" in Assaph, studies in Art History , ed. A. Ovadiah, N, Kenaan-Kedar, Tel-Aviv, 1997, pp. :: "The Ekphrastic Components in Victor Hugo's Notre Dame de Paris," in Pictures into Words (Groningen, 1998) pp. 145-155. :: ''The Legacy of Aquitaine in 12th Century Castille and Sicily: Eleanore of Aquitaine and her Daughters as Patrons of the Arts,'' East and West, 1999. :: ''Alienor d'Aquitaine conduite en captivité: Les peintures murales commemoratives de Sainte-Radegonde de Chinon,'' Cahiers de civilisation Médievale (December, 1998), pp. 317-330. :: ''Theodora: Harlot Queen or Oriental Empress: A New Interpretation of her Image in San Vitale,'' in: On Interpretations in the Arts. Interdisciplinary Studies in Honor of M. Lazar, ed. By N. Yaari (Tel Aviv, 2000), pp. 99-115. :: "Interaction of Marginal and Official Iconography: The West Façade of St. Hilaire in Foussais – Its Oral, Visual and Literary Sources," in The Metamorphosis of Marginal Images: From Antiquity to Present Time, ed. N. Kenaan-Kedar, A. Ovadiah (Tel Aviv, 2002), pp. 159-175. :: "Patron and Artist in the Middle Ages: Aspects of Hermetic Identities in the 12th and 13th Centuries" (in Hebrew), in Zemanim, vol. 77 (2000-2001), pp. 20-27. :: "The impact of Eleanor of Aquitaine on the visual arts in France," in: Culture politique des Plantagenet (1154-1224), Direction Martin Aurell, (Poitiers 2003), pp. 39-60. :: "Alienor D'Aquitaine les Arts Visuels, De l'Art Dynastique A l'Art Courtoise," in: Revue 303, Arts 'Recherches 'et Creations Nantes, 2004, pp. 82-92.
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