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REVELATIONS
FROM MEGIDDO |
| The Newsletter of the Megiddo
Expedition |
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| Why a Megiddo Newsletter?
Keeping our Team Members, Sponsors and
Friends in the Know about the Excavation, Survey,
Lab Work, Research and Publication of Megiddo the
Daily Life of the Megiddo Family
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| Megiddo
is not just another site. It
is the cradle of the archaeology of
Israel; in fact, it is the cradle of
Biblical Archaeology. But its importance
goes far beyond archaeology, extending
into biblical studies, and far beyond the
borders of present-day Israel to the
Levant and the entire Ancient Near East.
Hence, we feel we must tell our sponsors,
team members and many friends about the
field and lab work, the people involved,
both center stage and behind the scenes
the daily life of the project.
Revelations from
Megiddo will include updates not only
on final publications, but shorter
articles to be published in various
journals and keep you up to date on
public lectures and future excavation and
survey. Revelations is produced by the
Megiddo Expedition staff, and we hope to
go to press twice a year. Lest Revelations
become a carbon copy of the often dry,
technical academic publications, we will
also offer lighter tastes of the human
side of the Megiddo team.
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The pots and artifacts dont
crawl from their ancient burial places of their own
volition, and the crew members who carefully, even
lovingly, expose their secrets have much more personality
than Megiddo III will reveal.
Why a Megiddo newsletter? A modern
archaeological excavation involves such an enormous
amount of work behind the scenes, after the hot summer
mornings have yielded their treasures, we thought we
would be nothing less than remiss if we did not reward
the Megiddo Family with a continual peek into the doors
of Nogahs restoration room, Itzhaks world of
virtual reality, Paulas laboratory the secondary
resting place of Megiddos bones and the continuing
saga of those who are uncovering the Revelations from
Megiddo.
Israel Finkelstein
Baruch Halpern
David Ussishkin
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Cult stand from Area
H of the renewed excavations. It dates to one of
the last chapters of Israelite Megiddo in the 8th
century BCE. |
Inside:
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Publications from The Megiddo Expedition
staff:
- Eric Cline's
new book, Battles of Armageddon (University
of Michigan Press, Upcoming), looks at Megiddo's
unique military history, discussing the battles
of, among others, Pharaoh Thutmose III, Joshua,
Saladin and Napoleon.
- Israel Finkelstein,
one of the Megiddo Expedition Directors, has
published his two volume work, along with Zvi
Lederman and Shlomo Bunimovitz, the product of
over a decade of field survey and research in the
Samarian hills, Highlands of Many Cultures:
The Southern Samaria Survey: The Sites. (Institute
of Archaeology, Tel Aviv University, 1997).
- David Ilan has
published, with A. Biran and R. Greenberg, his
book, Dan I: A Chronicle of the Excavations,
the Pottery Neolithic, the Early Bronze Age and
the Middle Bronze Age Tombs. (Nelson Gleuck
School of Archaeology, 1996).
- Benjamin Sass,
the Megiddo Expedition's small finds expert, has
published, with Nahman Avigad, a book called Corpus
of West Semitic Stamp Seals. (Israel Academy
of Sciences and Humanities. Hebrew University,
1997).
- Orna Zimhoni,
the Megiddo Expedition's Iron Age pottery expert,
who died shortly after the 1996 excavation season,
has had a collection of her studies published as Studies
in the Iron Age Pottery of Israel: Typological,
Archaeological and Chronological Aspects. (Institute
of Archaeology of Tel Aviv University, 1997).
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| About
the Megiddo Griffin: The
griffin depicted as the logo of Revelations from Megiddo
is a picture of one of the ivories discovered by the
Chicago Expedition in the Late Bronze palace. The
collection from the palace, the most extensive from any
site in Israel, is one of the most important corpora of
information about the art of Canaan at this time, a genre
combining Egyptian, Hittite and Aegean influence with its
own local flavor. The ivories were used as furniture
decoration, jewelry boxes, cosmetic cases and various
ornamentation. Our griffin shows a strong Aegean
influence.
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