סילבוסים של החוג לאנגלית בשנת הלימודים תשס"ו

מעודכן ליום שני 3 ביולי 2006


0626.1208  ניתוח סיפורת Introduction to Narrative
פרופ' חנה וירט נשר Professor Hana Wirth-Nesherשו"ת
This is a course designed to provide students of literature with tools to analyze narrative. The emphasis of the course is on the theory and application of diverse methods to the reading of a variety of narratives. Students will be introduced to issues of theme, plot, characterization, figurative language, point of view, setting, intertextuality, and genre among other aspects of narrative analysis.
הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 22/06/2006 בשעה 12:30
מועד ב' של סמסטר ב' יתקיים ביום 02/08/2006 בשעה 12:30
0626.1217  ניתוח שירה POETRY ANALYSIS
ד"ר קרן אלקלעי-גוט DR. KAREN ALKALAY-GUTשו"ת
This course provides basic terminology and techniques for understanding and discussing poetry. On the assumption that poetic language is different from the language of prose, and reading poetry demands different tools, we will study subjects such as imagery, meter, speaker, and forms, through a close examination of examples from classical and contemporary English and American poetry.

WRITTEN ASSIGNMENTS: 4 quizzes, one final examination..

PRIMARY TEXT: Texts will be provided on Virtual TAU Site.

הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' יתקיים ביום 14/02/2006 בשעה 9:00
מועד ב' של סמסטר א' יתקיים ביום 24/03/2006 בשעה 9:00
0626.1220  שקספיר SHAKESPEARE and HIS WORLD
גב' לינדה שטרייט LINDA STREITשו"ת
This course is an introduction to William Shakespeare and his world. We shall examine his vast canon by first perusing the Sonnets, and then proceed to consider six plays from a generic perspective. Each genre will be discussed, followed by a close reading of the relevant text, encompassing: tragedy, revenge drama, comedy, tragicomedy, and problem plays. Each text will be contextually considered within the pertinent socio-cultural background, to illustrate the mutual influence of drama and ideology. Relevant critical articles will also be studied to evaluate the changing methodological approaches to the world of Shakespeare.

Texts
Sonnets
Romeo and Juliet, Hamlet, Much Ado About Nothing, Measure for Measure, The Tempest
Requirements
One in-class quiz, one take-home assignment, mid and final examinations.

הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 10/07/2006 בשעה 9:00
מועד ב' של סמסטר ב' יתקיים ביום 17/08/2006 בשעה 9:00
0626.1500  מבוא לתרבות אמריקה Introduction to American Culture
ד"ר הדה בן-בסט HEDDA Dr. BEN-BASSATשו"ת
The purpose of this course is to examine the development of a distinct American cultural discourse from the Colonial period to the 20th century. The texts read in class offer a variety of genres and voices representing the different facets of American cultural production.


TEXTS: The Norton Anthology of American Literature, Shorter Sixth edition.

Hawthorne, Nathaniel. The Scarlet Letter
Twain, Mark. The Adventures of Huckleberry Finn
Melville, Herman. Benito Cereno

WRITTEN ASSIGNMENTS: Midterm and final exams.
הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 28/06/2006 בשעה 16:00
מועד ב' של סמסטר ב' יתקיים ביום 01/08/2006 בשעה 9:00
0626.2064  פרוסמינר PROSEMINAR
ד"ר אילנה גומל Dr. Elana Gomel , גב' מרים מנדל Miriam B. Mandel , ד"ר שירלי שרון-זיסר Sharon-Zisser, Dr. Shirleyפרוסמינר
לקורס מספר קבוצות:

0626.2064.01 ד"ר אילנה גומל, סמסטר א':
The aim of the proseminar is to prepare the student for participation in academic seminars and the writing of seminar papers. The student is required to develop an extended, researched and original analysis of a literary work assigned in class. The course is designed to teach specific skills, such as close reading and analysis of a literary text; developing a coherent critical thesis; working with bibliography; incorporating critical material; and writing and revising a long paper. The paper (12-15 pages long) is due at the end of the semester but the first draft is submitted halfway through and then revised and expanded through discussions with the instructor and input from other students. Several critical essays are assigned in class and the student is responsible for finding additional critical material. The coursework also includes such exercises as compiling a bibliography, writing short response papers, and attending conferences with the instructor.
Texts: Harbrace Handbook
A literary text

0626.2064.02 סמסטר א', ד"ר שירלי שרון-זיסר:
An introduction to critical thinking, writing, and documentation focussing on an analysis of Shakespeare’s poetry. Reading and documentation assignments will be given throughout the semester and culminate in the composition of a term paper.

0626.2064.04,0626.2064.05-סמסטר ב'- גב' מרים מנדל Miriam B. Mandel :
The aim of the proseminar is to prepare the student for participation in academic seminars and the writing of seminar papers. The student is required to develop an extended, researched analysis of a literary work assigned in class. The course is designed to teach specific skills, such as close reading and analysis of a literary text; developing a coherent critical thesis; producing a bibliography; incorporating critical material; and writing and revising a long paper. The paper (12-15 pages) is due at the end of the semester but the first draft is submitted halfway through and then revised and expanded through discussions with the instructor and input from other students. Several critical essays are assigned in class and the student is responsible for finding additional critical material. The coursework also includes such exercises as compiling a bibliography, critiquing critical essays, and attending conferences with the instructor.

Texts: Harbrace Handbook (or similar handbook)
A literary text: to be announced in class




מועדי הבחינות:
מועד א' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד א' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
0626.2074  סיפורת לפני מלחמת האזרחים ANTEBELLUM FICTION
ד"ר מלאת שמיר SHAMIR, Dr. Miletteשו"ת
"What is an American?" This question, posed by writer St. Jean de Crevecoeur in an essay by that title only a few short years after the American Revolution, continued to occupy American writers in the decades to come. Writers from Cooper to Melville attempted to formulate a coherent and inclusive American identity, an attempt that often involved the negation, exclusion, or suppression of alternatives. This course will examine debates over national character and national identity as they played themselves out in both canonical and neglected texts, through transformations in language, literary genres, and prose styles.
TEXTS will include novels by J. F. Cooper, Fanny Fern, and Harriet Wilson, and short works of fiction by Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, and H. D. Thoreau.
REQUIREMENTS: attendance and participation, short reading responses, short paper, and final exam.
הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' יתקיים ביום 16/02/2006 בשעה 9:00
מועד ב' של סמסטר א' יתקיים ביום 17/05/2006 בשעה 18:00
0626.2081  דיקנס CHARLES DICKENS
גב' גליה בנזימן BENZIMAN, GALIAק"מ
The most popular novelist of his own day, Charles Dickens (1812-1870) has been dubbed “the Shakespeare of the novel” by more than one twentieth-century critic, and his corpus has not ceased to attract massive critical attention and a large readership.
The aim of this course is twofold: first, to do close reading of a selection of fictional and non-fictional writings by Dickens, and examine his style, thematic concerns, and narrative technique; second, to familiarize the students with the literary, intellectual, social, and political milieu in which Dickens lived and worked. We will try to establish possible links between his poetics, manifesting a unique mixture of satire and sentimentality, and his outspoken, yet sometimes inconsistent, social views.

TEXTS: We will be reading a variety of texts by Dickens – the novelist, the public figure, and the private man. Our primary texts will be the novels Oliver Twist and Hard Times and the novella A Christmas Carol, as well as excerpts from Sketches by Boz and a selection of letters, public speeches, and essays. Besides these, we will look at excerpts from critical evaluations of Dickens’s novels from the nineteenth century to the present.

REQUIREMENTS: one exam, one paper, participation in class discussion.



הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 11/07/2006 בשעה 12:30
מועד ב' של סמסטר ב' יתקיים ביום 14/08/2006 בשעה 9:00
0626.2083  מיקום בספרות אמריקנית Place in Modern American Literature
פרופ' חנה וירט נשר Professor Hana Wirth-Nesherשו"ת
Mobility, immigration, and migration have all characterized American literature of the first half of the twentieth century. This course will examine the significance of place in terms of symbolic geography, social position, transnational perception, gender, and concepts of home in the writings of Theodore Dreiser, Abraham Cahan, Henry James, Edith Wharton, Willa Cather, Gertrude Stein, Richard Wright, and Zora Neale Hurston.
הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' יתקיים ביום 09/02/2006 בשעה 9:00
מועד ב' של סמסטר א' יתקיים ביום 05/04/2006 בשעה 18:00
0626.2087  סיפורת פוסט מודרנית Postmodern Fiction
גב' יעל מאורר Yael Maurerשו"ת
In this course we will read postmodern works of fiction. The texts we will examine challenge totalizing thought, and offer in its stead narratives which destabilize notions of continuity, borders, and hierarchies. The postmodern text engages with the notion of "master narratives" which shape our culture, and questions cherished ideas of a unified , located subject.

Course Requirements:
Active class participation ( in class presentations)
Paper
Final exam

הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' יתקיים ביום 17/02/2006 בשעה 9:00
מועד ב' של סמסטר א' יתקיים ביום 19/05/2006 בשעה 9:00
0626.2099  דרמה יעקובינית JACOBEAN DRAMA
גב' לינדה שטרייט LINDA STREITשו"ת
A cultural and dramatic survey of the Jacobean period, in which the plays, playhouses and childrens’ companies are contextualised within James’s decadent court and the growth of capitalism. An examination of the development of menace and savagery, and how various genres responded to the deepening National disillusion, reflected by verbal cruelty (in City Comedy) to mental cruelty (in tragicomedy) to physical debauchery and death (in tragedy).

Texts
Ben Jonson, Volpone
John Marston, The Malcontent
John Webster, The Duchess of Malfi
Thomas Middleton, The Changeling

Requirements: one short home assignment, mid and final examination.

הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' יתקיים ביום 27/02/2006 בשעה 12:30
מועד ב' של סמסטר א' יתקיים ביום 31/03/2006 בשעה 9:00
0626.2103  מילטון Milton
ד"ר מירי באום Miri Tashma-Baumשו"ת
John Milton is often considered the greatest English writer of the seventeenth century, and one of the most interesting, moving, and influential writers in the history of English literature as a whole. The course will consist of readings of selected parts of the work of John Milton, primarily of Milton’s chief work, the Biblical epic Paradise Lost, whose year of publication often marks the end of the English literary Renaissance. The epic - a long narrative poems that tells of and celebrates heroic figures and their achievements - was traditionally considered the most prestigious
literary genre, the one in which the mature poet examines and re-asserts the beliefs and values of his culture. Milton’s epic was unique in giving this classical genre a Christian plot, and as we follow some of the twists and turns of the epic adventures, we will discover that while it tells an exciting story, the epic also affords fascinating insights into the thoughts, beliefs and deep-rooted anxieties of the period, a time
of immense political, social and intellectual activity and change.

הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 19/06/2006 בשעה 12:30
מועד ב' של סמסטר ב' יתקיים ביום 15/08/2006 בשעה 9:00
0626.2165  סיפורי אגדות Fairy Tales
ד"ר מירי באום Miri Tashma-Baumשו"ת
In this course we will examine the fascinating genre of the fairy tale. We will begin with its folklore roots and proceed to examine the most famous fairy tales past and present, and the genre as a whole, from varying perspectives: historical, psychoanalytical, structuralist, feminist and socialist. We will see how different viewpoints lead to very different, often diametrically-opposed judgments of the nature, value and influence of fairy tales.

הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 29/06/2006 בשעה 12:30
מועד ב' של סמסטר ב' יתקיים ביום 13/08/2006 בשעה 12:30
0626.2173  מילה ומראה Word and Vision
גב' סוניה וינר Sonia Weinerשו"ת
This course will examine the various ways in which visual and verbal texts interact. We will discuss texts that combine between visual images and the narrative mode in the form of collaborations between photographers and writers, as well as independent explorations of the two medium by a single author. In addition, the course will discuss texts which introduce descriptions of photographs (prose photos) into a narrative and consider the manner in which they influence the flow of the narrative and impact the reader on multiple levels.


הקורס יבחן את ריבוי הדרכים בהם טקסטים ויזואליים וורבאליים מתקשרים. נדון בטקסטים המשלבים בין תצלום לבין סיפורת דרך יצירות משותפות של צלמים וסופרים וכן דרך אבחונים של הנושא על ידי יוצר בודד. בנוסף, נתייחס לטקסטים שמשלבים תיאורי צילום (צילום פרוזה) בתוך טקסט נאראטיבי ונבדוק כיצד מהלך זה משפיע על מהלך הנרטיב ועל תגובת הקורא.
הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' יתקיים ביום 24/02/2006 בשעה 9:00
מועד ב' של סמסטר א' יתקיים ביום 14/06/2006 בשעה 18:00
0626.2179   ג'ין אוסטין ויוצרות תקופתה
גב' גרנאי אימי Amy Garnaiשו"ת

Jane Austen and Her Contemporaries
This course will examine the novels of Jane Austen as well as works of women writers who were her contemporaries. We will locate Austen's writing within the cultural and historical contexts of the late eighteenth and early nineteenth centuries and engage in the debate surrounding the political positioning that appears within these texts. In addition to Austen, we will read works by Mary Wollstonecraft, Ann Radcliffe and Elizabeth Inchbald.
הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 27/06/2006 בשעה 9:00
מועד ב' של סמסטר ב' יתקיים ביום 08/08/2006 בשעה 9:00
0626.2184  סיפורת אמריקנית מוקדמת EARLY AMERICAN FICTION
ד"ר הדה בן-בסט BEN-BASSAT, Dr. HEDDAשו"ת
This course aims to examine American literary production from the establishment of the Republic in the last quarter of the eighteenth century to the Civil War. The course will explore the emergence of a distinct American literary tradition, which reflects aspects of the inherent American ideology, as well as the particular aesthetic and socio/political discourse of the time. Our reading will include fiction by Charles Brockden Brown, Washington Irving, Nathaniel Hawthorne, Herbert Melville, Harriet Beecher Stowe.
הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 14/07/2006 בשעה 9:00
מועד ב' של סמסטר ב' יתקיים ביום 16/08/2006 בשעה 9:00
0626.2198  שירה אמריקנית עכשוית MODERN AMERICAN POETRY
ד"ר קרן אלקלעי-גוט DR. KAREN ALKALAY-GUTשו"ת
This course will begin with a background survey of nineteenth century poetic influences, including Walt Whitman, Emily Dickinson, and Edgar Allen Poe, then the major influences in modern American poetry, including William Carlos Williams, Ezra Pound, Hilda Doolittle, Elizabeth Bishop, Robert Lowell, Langston Hughes and e. e. cummings. We will progress to Sylvia Plath, Anne Sexton, Jack Kerouac, Frank O'Hara, Allen Ginsberg, Charles Bukowski, then proceed to ‘classic’ contemporary poets such as Galway Kinnell, Sharon Olds, Louise Gluck, Mark Strand, Robert Haas, Charles Bernstein, Alicia Ostriker and others.

Reading: Virtual Site

COURSE REQUIREMENTS:
Midsemester Examination, Paper, Final Examination
הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 12/07/2006 בשעה 9:00
מועד ב' של סמסטר ב' יתקיים ביום 17/08/2006 בשעה 9:00
0626.2240  מיקצב וריתמוס בשירה Rhythms in Poetry
טרטקובסקי רועי Roi Tartakovskyק"מ
We are surrounded by rhythm. Rhythm exists in many of our everyday activities (walking, reading) and in many processes around us (a school year, seasons). Rhythm comes to us from the outside (wheels of a train) and from the inside (heartbeats). In poetry rhythm is crucial to the overall effect, and some have even suggested that it is a defining feature. Whether in metrical verse, or in some forms of free-verse, rhythm works in various ways as a poetic device. In this class we will read poems by poets as diverse as Dickinson, Shakespeare, Herrick, Cummings, Creeley, and Keats, and try to understand some the ways rhythm functions in the poems.

Course requirements: active participation, short paper, midterm, final exam.
הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' יתקיים ביום 23/06/2006 בשעה 9:00
מועד ב' של סמסטר ב' יתקיים ביום 11/08/2006 בשעה 9:00
0626.3052  רומן החניכה הנשי FEMALE COMING-OF-AGE NARRATIVES
ד"ר מלאת שמיר SHAMIR, Dr. Miletteסמינר ב"א
Few literary conventions teach us as much about the culture that produced them as the coming-of-age plot. In charting the transition from childhood to adulthood, this plot explores the most basic definitions governing normative identity in a given social setting. For many years, however, discussion of this genre focused on male-authored texts, from Wilhelm Meister and David Copperfield, to Portrait of the Artist as a Young Man and The Catcher on the Rye. This seminar will center, instead, on female-authored coming-of-age stories, and will address such questions as: what happens to this genre when it is appropriated by women? How is the "adult woman" defined in different historical moments? Are there common threads (mother-daughter relations, conflict between love and labor, paths of socialization and resistance) that connect older and contemporary writing about female maturation?
TEXTS will include works of fiction by Louisa May Alcott, Carson McCullers, Katherine Anne Porter, Sylvia Plath, Jamaica Kincaid, and others.
REQUIREMENTS: active participation, preparation of study questions, quizzes, and a seminar paper.
הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
0626.3060  שירה דקדנטית DECADENCE
ד"ר קרן אלקלעי-גוט DR. KAREN ALKALAY-GUTסמינר ב"א
This seminar will examine the poetry of the late Victorian period, tracing the development of the spirit of decadence from Tennyson, Browning, Rossetti and Swinburne to Oscar Wilde and William ButlerYeats.


TEXTS: on Virtual Site


COURSE REQUIREMENTS

Grades will be determined by 3 brief class reports, to be submitted as 1 page summaries, 3 one page responses to the reading of the class (due on day of class assignment) one 2-page evaluations of texts, following discussions with instructor, to determine the final 14 page final paper. Active class participation is required.

הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
0626.3068  יוצרות אמריקניות אחרי מלחמת העולם ה-2 AMERICAN WOMEN WRITERS AFTER WW II
ד"ר הדה בן-בסט BEN-BASSAT, Dr. HEDDAסמינר ב"א
This seminar examines fiction written by American women writers in the second part of the 20th century. Their fiction reflects the diversity inherent in the contemporary scene of cultural pluralism. We will examine their differences of race ethnicity regional affiliation, as well elements they share as Americans and as Women. Our reading will include texts by Flannery O’Connor, Grace Paley, Alice Walker, Bharati Mukherjee
הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
0626.4079  אוטוביוגרפיה יהודית-אמריקנית Jewish American Autobiography
פרופ' חנה וירט נשר Professor Hana Wirth-Nesherסמינר מ"א
American literature in general, and Jewish American writing in particular, have been preoccupied with autobiography, with self presentation in relation to collective identity. This course will explore various forms of this genre in its American, Jewish, and artistic dimensions, from immigrant writing to the works of subsequent generations. Readings will be drawn from the autobiographies of Mary Antin, Alfred Kazin, Philip Roth, Art Spiegelman, Eva Hoffman, Arthur Miller, Anne Roiphe, among others.

הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
0626.4218  שירה ותרבות פופולרית POETRY AND POPULAR CULTURE
ד"ר קרן אלקלעי-גוט DR. KAREN ALKALAY-GUTסמינר מ"א
This seminar will explore the way in which popular culture interweaves with poetry from the period of the nineteenth century until the present. Various media and poetry will be used. One example: the thematic and formal use of popular music, from dance hall, and children’s songs, to rock, blues and jazz will be traced in poetry by Swinburne, Yeats, Eliot, William Carlos Williams, Jack Kerouac, Langston Hughes, Allen Ginsberg and others. The use in music of poetic references as well as poetic elements will also be considered. Other areas of popular culture include dance, comics, television, Internet, and film.


SEMINAR REQUIREMENTS


Students are required to prepare an organized presentation for class on a date and subject to be determined between the instructor and the student within three weeks of the beginning of the semester. This aspect of the seminar is essential in order to organize appropriate materials and bibliography. Students who cannot fulfill this requirement should not register for this seminar

Two one-page bibliographical reports
Six one page papers concerning the reading for the class

One examination written in class.

One ten-page paper due one month after then end of the semester.

Active class participation..


הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
0626.4240  זהות קנדית, מיגדרית תרבותית ENGENDERING CANADIAN IDENTITY
ד"ר הדה בן-בסט HEDDA Dr. BEN-BASSATסמינר מ"א
Canada has been defined as a country of multiple borderlines - geographical, sociopolitical and cultural. The course aims to explore these borderlines as contributing to the structuring of Canadian selfhood. We will focus on texts by women writers of the post WWII era, among them Margaret Laurence, Margaret Atwood Joy Kogawa, Alice Munro and Dionne Brand in the attempt to understand the relation between the search for a distinctive Canadian national and cultural self-image and the revisioning of female selfhood.
הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
0626.4656  סיפורת של גבריות FICTIONS OF MASCULINITY
ד"ר מלאת שמיר SHAMIR, Dr. Miletteסמינר
After centuries of wondering "what is femininity?" intellectuals are currently fascinated by a second question, implied in the first: what is masculinity? This seminar builds up from two basic assumptions: that masculinity, like femininity, is a fictional construct, and that, as such, it is not the exclusive property of one race, sexuality, or sex. The first part of the semester will be devoted to a critical examination of some of the major theories about masculinity originating from feminist theory, psychoanalytical thought, cultural studies, and the emergent field of men's studies. In the second part we will look at various representations of men, manhood, and masculinity in 19th and 20th-century US cultures, from the rugged individual to the urban rebel, from the white-collar worker to the gender outlaw.
REQUIREMENTS: active participation, preparation of critical questions, two short reports, a referat paper.
הערות: סמסטר א'
מועדי הבחינות:
מועד א' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר א' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
0626.4672  אורינטליזם בספרות אמריקנית AMERICAN ORIENTALISM
ד"ר מלאת שמיר SHAMIR, Dr. Miletteסמינר מ"א
This seminar will trace the representation of the "orient" in America, and the influence of the "Near East" on the development of American culture, from the 18th to the early-20th century. Among topics covered: Puritan typology and Christian Hebraism, 19th century travelers to the Near East, representations of Arabs and Islam in American literature, Protestant imaginings of the Holy Land, and Hollywood's early treatment of the Middle East.
REQUIREMENTS: active participation, preparation of critical questions, two short reports, a referat paper.
הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
0626.4680  תרגום תרבויות Cross-Cultural Translation in Jewish American Literature
פרופ' חנה וירט נשר Professor Hana Wirth-Nesherסמינר מ"א
How do works of Jewish American writers serve as sites of cross cultural translation? We will discuss the artistic strategies and cultural dynamics of texts that mediate between cultures in terms of language, religion, and ethnicity. Readings will be drawn from Sholem Aleichem, Sholem Asch, Lamed Shapiro, and Isaac Bashevis Singer (Yiddish writers in English translation), and Saul Bellow, Cynthia Ozick, Grace Paley, Allen Gisnberg, Aryeh Lev Stollman, and others.
הערות: סמסטר ב'
מועדי הבחינות:
מועד א' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.
מועד ב' של סמסטר ב' הוא בחינת-בית או עבודה שלא נקבע עבורה תאריך.