| 0626.2094 דרמה בריטית מודרנית | |
|---|---|
| גב לינדה שטרייט | שו"ת |
| This course examines the development of British theatre, from the 1960s to the end of the 1990s. The abolition of theatre censorship in 1968 effected changes in the theatrical landscape which were themselves part of a wider social and cultural transformation. We shall examine four plays of the period, and key elements will include theatre of the absurd (Pinter), history (Hare), theatrical illusion (Stoppard) and ‘in-yer-face’ theatre (Marber). Attention will be paid to the cultural and theatrical milieux from which each play arose, and to the varied presentation methods which the writers choose.
Texts Harold Pinter The Caretaker (Samuel French, 1960) David Hare, Plenty (Faber and Faber, 1978) Tom Stoppard The Real Thing (Faber and Faber, 1982) Patrick Marber Closer (1997, Methuen) Requirements: two quizes, one paper, final examination. | |
| מועדי הבחינות: | |
| מועד א' של סמסטר ב' יתקיים ביום 20/06/2004 בשעה 9:00 | |
| מועד ב' של סמסטר ב' יתקיים ביום 20/07/2004 בשעה 9:00 | |